Set sail on a culturally enriching Scandinavian voyage

Founded by the Vikings, the port city of Ålborg is more than a thousand years old. Throughout its history, it has seen many architectural eras come and go, making the city itself a living architectural gallery with a collection that spans centuries and includes buildings from the Renaissance, Baroque and modern eras.

You do not have to be an architecture student to appreciate Ålborg’s diverse buildings. From the half-timbered Ålborg Castle built in the 16th century to the House of Music, which opened in 2014, Ålborg is home to many remarkable structures.

The Historic

In Ålborg’s New Square, you can visit the Gothic-style Budolfi Church (14th century), the Renaissance-style Jørgen Olufsen’s House (1616), Jens Bang’s House (1624) and the baroque-style Old Town Hall (1762). Originally built by a wealthy mayor, Jørgen Olufsen’s House is now an Irish pub.

The Modern

On the contemporary side, the House of Music is a striking performance venue and home to the Ålborg Symphony Orchestra. The Kunsten Museum of Modern Art features special exhibitions, a sculpture park and an amphitheater. And the Utzon Center on the waterfront was designed by Ålborg-born architect Jørn Utzon.

Scandinavia boasts strong and diverse culinary traditions, which include game meat from the north, fish from the coasts and other products from across the region. Here are some renowned Scandinavian dishes and beverages:

• Köttbullar (Swedish meatballs)
  Prepared with fresh minced meat, seasoned with aromatic spices and browned to perfection, these savory meatballs are paired with a traditional creamy, gravy-style sauce with allspice and a lingonberry condiment to balance the richness of the sauce.
• Fårikål (Mutton in cabbage)
  Norway’s national dish consists of mutton (or lamb) and cabbage, slowly stewed together with whole black peppercorns. Typically served with boiled potatoes, it is the perfect complement to a cool autumn day.
• Nordic Gravlax
  No smørbørd (open-faced sandwich) would be complete without smoked salmon, one of Scandinavia’s most distinctive dishes. “Gravlax” literally means “buried salmon,” referring to the ancient practice of curing raw fish by burying it in sand by the seashore to be saturated and cured by ocean tides. These days, fish is salted and seasoned, weighed down and refrigerated until cured.
• Vafler (Norwegian waffles)
  These lightly sweetened, heart-shaped treats are thinner than Belgian waffles and can be enjoyed with a variety of toppings, including sour cream, fresh berries, Norwegian brown cheese (brunost) or jam.
• Aquavit
  Dating to the 1500s, Scandinavian aquavit—which takes its name from the Latin aqua vitae, or “water of life”—captures pristine Nordic beauty in a bottle. In its cleanest form, it is a neutral, flavorless spirit distilled from grain or potato. Infusions of botanicals—such as caraway, dill, anise, fennel, coriander or cardamom—transform it into a pleasing elixir.

One of the boldest voyages across the Pacific Ocean, the Kon-Tiki expedition of 1947, was launched to prove a theory. Norwegian explorer and ethnographer Thor Heyerdahl (1914–2002) believed that Polynesians were descended from people who crossed the ocean from South America. He based his hypothesis on the enormous statues and stepped pyramids of Polynesia, which resemble those in Peru. Heyerdahl had also heard tales of early Europeans who had encountered islanders with a light complexion, which was consistent with stories of ancient, fair-skinned Peruvians.

To demonstrate his theory, Heyerdahl and five additional crew members built a raft from balsa logs and other Peruvian materials. They also drew references from old drawings made by Spanish conquistadors of pae-paes, large Inca rafts with sails and a small hut. Heyerdahl’s journey on this raft, bolstered by westerly trade winds, lasted 101 days and covered 4,300 mi. (6,920 km).

Despite the successful voyage, Heyerdahl’s theory did not gain traction among his peers, who accepted that a west-to-east migration had populated Polynesia. Linguistic, ethnographic and botanical evidence also point to a deep connection to ancient Southeast Asian cultures.

Today, the Kon-Tiki raft is on display at the Kon-Tiki Museum in Oslo, Norway. Film lovers might remember it from the Oscar-winning documentary film released in 1950, named after the famous vessel.

The Vikings were a group of Scandinavian seafarers who originated from areas in modern-day Norway, Sweden and Denmark. These people did not belong to a particular race or culture. Instead, the name Viking originated from the Old Norse word vik, meaning bay or creek, which in turn formed the root of vikingr, an Old Norse verb meaning to go on a waterborne journey, whether by river or sea.

The Viking Era lasted from 782–1066 AD. During that time, Vikings expanded their territorial reach far beyond their Scandinavian homelands. As pioneers in shipbuilding and navigation, they are considered by many to be the ultimate in trailblazing early explorers, with expeditions by land, river and sea. In addition to longships, Vikings’ vessels came in various forms like wide-bellied cargo ships. They had an edge over their contemporaries, as Viking ships were constructed with watertight clinker-built shells where the edges of hull planks overlapped with one another. This sturdy foundation remained a universal method of shipbuilding throughout northern Europe until the Middle Ages.

Over the centuries, people all over northern Europe have explained the dazzling aurora borealis with equally vivid myths. Here are a few tales from different cultures of the region:

Dancing with the stars

The northern lights have been spotted in the British Isles as far south as London, though more often in northernmost Scotland. Here, the locals called the flickering arcs of light “merry dancers”—a bit of a misnomer, since the so-called dancers were thought not to be dancing, but engaging in battle.

Hear no evil

The Indigenous Sami people of subarctic Norway, Sweden and Finland thought the aurorae were the souls of dead maidens or deities such as Guovssahas, whose name means “audible light.” The northern lights do, in fact, emit strange crackling sounds, but they are difficult for the naked ear to detect. On the other hand, your chances of “hearing” the lights would be increased if you heeded the Sami warning for utter silence in their presence. Making noise of any kind might disturb the lights’ restless, fearful spirits. A more benevolent Sami legend says that the lights occur when magical fire foxes scamper across the horizon, sending sparks up into the sky.

The Viking version

Oddly, a phenomenon as powerful as the northern lights is seldom mentioned in Viking lore. Some scholars say that is because during the Viking Age (800–1100 AD), solar activity was very weak, making the northern lights a rare occurrence. They would have appeared only during unusually strong solar storms, which tended to produce red aurorae that later medieval Norse chroniclers associated with war. The famous Norse sagas of Snorri Sturluson describe a great celestial bridge called the Bivröst, which allowed fallen warriors to cross from Earth to Valhalla. Like the northern lights, it was glowing, unstable, tri-colored and fiery.

Stavanger is a bustling oil industry center with a small-town atmosphere. It features quaint historic neighborhoods, museums and a variety of shopping and dining destinations. But nothing compares to Stavanger's natural beauty. It is home to breathtaking fjords, mountains, white-sand beaches and Preikestolen, or Pulpit Rock. Jutting out nearly 2,000 feet above the Lysefjord, Pulpit Rock is one of Norway's most famous natural attractions.

Stavanger offers a range of cultural events and activities. The Gladmat Food Festival attracts an estimated 250,000 visitors each July. While Stavanger cuisine is increasingly international, it stays true to its Norwegian soul, incorporating fresh seafood and locally grown produce.

Oil and energy

Following the 1969 discovery of the oil field at Ekofisk in the North Sea, the Stavanger region emerged as a major driver of Norway’s economy. Today, Stavanger is Europe’s oil and energy capital, and the petroleum sector is the leading source of jobs for locals. The Norwegian Petroleum Museum chronicles the history of Norway’s offshore drilling industry.

Old Stavanger

Stavanger’s Old Quarter, or Gamle Stavanger, boasts Europe’s highest concentration of wooden buildings from the 17th and 18th centuries. As you walk the charming narrow streets and admire the 170 whitewashed houses, think of Einar Hedén, the Stavanger city architect who, in the 1950s, kept the historic neighborhood from being razed as part of a post-World War II city plan.

Evanescent. Shimmering. Always gliding across the skies, curling through the clouds and veiling the constellations in swaths of color. Though you never know exactly when or where the northern lights will appear, you can be sure that the farther north you travel and the darker the skies, the more likely you are to see this natural light show. This is why the aurora borealis is best seen in winter and why it is important to plan your itinerary for destinations where the northern lights most often reveal their splendor.

1. The northern lights’ soft, hazy, dynamic glow occurs when electrons in Earth’s magnetosphere collide with oxygen and nitrogen molecules in our upper atmosphere. Auroral displays appear in many colors, with pale yellowish green and pink being the most common. The pale yellowish green is produced by oxygen molecules, while rare all-red aurorae are produced by high-altitude oxygen, and nitrogen produces blue or purplish-red aurorae.
   
   
2. Earth is not the only planet where the northern lights phenomenon occurs. Scientists have detected auroral activity on Venus, Mars, Neptune, Saturn and Jupiter, though these are not quite the same as on Earth and do not look the same. On Uranus, the lights do not appear as shimmering curtains but faint glowing dots.
   
   
3. It was the Italian astronomer Galileo Galilei who in 1619 first coined the name “aurora borealis” after Aurora, the Roman goddess of the dawn, and Boreas, the Greek god of the north wind.
   
   
4. Auroral noises were confirmed and recorded in 2012. They occur under very specific circumstances, at approximately 230 feet above the ground. Scientists do not completely understand the details of the mechanism, but the noises are now thought to be related to an inversion layer of warmer air. It isolates the negative charge on the ground from the positive charge in the air. When the difference becomes too great, the charge is released, and the energy makes the air crackle. Scientists theorize that the charge difference is altered by auroral activity, and that may be why the sounds accompany the aurorae.
   
   
5. The best time to possibly see the northern lights is when the observer, the magnetic pole and the sun are aligned in a straight line. This is called “magnetic midnight.” Bear in mind that Earth's magnetic poles do not coincide with its geographic poles. So magnetic midnight is about an hour earlier than clock-based midnight.
   
   
6. The northern lights occur between 60 and 400 miles above Earth’s surface. Astronauts on board the International Space Station—which orbits our planet at an altitude of between 205 and 270 miles—have front row seats to this magnificent light show.
   
   
7. The earliest mention of the aurorae may be on a clay tablet in a Babylonian text from 567 BC.
   
   
8. In 1989, solar storms were so strong the lights were seen as far south as Cuba!

Viking has partnered with Oslo’s Munch Museum in a historic collaboration to present “Munch Moments” on board your Viking ocean ship. This is the first time the revered museum has granted digital rights to its collection of Norway’s most famous expressionist artist. We could not be more proud that ours is also the largest collection of works by Edvard Munch at sea. Each afternoon throughout your journey, several pieces of art will be projected on our giant Atrium screen in The Living Room, so you can take as much time as you would like admiring their vibrant color and lush detail. Personal and cultural insight will illuminate each work. From his famous painting The Scream to lesser known works such as The Source, Munch Moments showcase the brilliance of Norway’s beloved artist in a uniquely Viking way.

MUNCH MOMENTS

Through an exclusive relationship with Oslo’s Munch Museum, Viking has been granted the digital rights to the entire collection of Norway’s most famous artist, Edvard Munch. Our Munch Moments bring the magic of Munch to our ocean ships with a daily, interactive event that provides an opportunity for guests to learn about his extraordinary life and work.

Each afternoon, the ship’s magnificent three-deck Atrium is transformed into an interactive event of art and music. Select famous artworks are projected onto the wall of the main stairs, accompanied by evocative Norwegian compositions that reflect the different moods and themes expressed through about 50 Munch works in all.

WHO WAS MUNCH?

Edvard Munch (1863–1944) was a Norwegian expressionist painter and printmaker, and is recognized today as perhaps one of the world’s most famous artists. Munch began to paint early at the age of 12 and lived a life devoted to art. His artistic oeuvre extends over a period of more than 60 years, during which he painted more than 2,000 paintings and made tens of thousands of prints.

Munch can be said to be almost as famous for his life as he is for his art. In periods, he lived a nomadic and turbulent bohemian life, together with the Kristiania Bohemians in the Norwegian capital and with the group around the wine bar Zum schwarzen Ferkel in Berlin. During his long life as an artist, Munch experimented with the different painterly directions of his time, but it is first and foremost as a symbolist and expressionist he has become famous. Paintings such as The Scream, Madonna, Death in the Sickroom and The Dance of Life are highly praised icons in art history.

EMOTION UNCOVERED

Munch’s most famous painting, The Scream, exists in four versions. He created this masterpiece in 1893, and the onboard painting is a later version from 1910. The motif is inspired by an experience Munch describes in a poem in his diary in 1892. “I was walking along the road with two friends—the sun was setting—suddenly the sky turned blood red—I paused, feeling exhausted, and leaned on the fence—there was blood and tongues of fire above the blue-black fjord and the city—my friends walked on, and I stood there trembling with anxiety—and I sensed an infinite scream passing through nature.” The same swirling brush strokes are used in a 1894 bare-torso Madonna, an oil on canvas piece.

There are many coastal pictures on display painted from Munch’s property overlooking the Norwegian fjords. It has been said that he often asked his coachman to halt at the plateau above his vacation home to admire the view there of the Oslofjord. He liked to stand at his easel in wind and weather and paint nature scenes by the fjord in all seasons. When Munch moved back to his hometown in 1909, the pessimistic undertone that had become prominent in much of his earlier works faded quite a bit, and he took more of a colorful, playful approach with his paintings. This is clear in his later works.